Glaiza de Castro’s “Dreams Never End” concert has been one of the first essential steps in climbing the way up on the music ladder.
During that sold out show, I’m a little regretful about not taking any decent pictures— but as far as I remember, a great part of her success that night is that she performed with her greatest idols namely Regine Velasquez-Alcasid, Cookie Chua and Kitchie Nadal. Whereas the most interesting highlight is her special spot among friends who performed with her like JayR, Gabby Eigenmann, Ketchup Eusebio and Rhian Ramos.
This time around with “KunGdiman,” I saw her being very hands-on with her frequently visiting the Music Museum office to check if all things are working on the plan. I find this pretty impressive, and I’m excited to be able to work with her behind the scenes.
Asia’s Romantic Balladeer Christian Bautista performs at the Music Museum recently for the launch of his latest album “Kapit.”
For more than 15 songs, Christian had the audience singing earnestly with his timeless popular hits and covers including, “Colour Everywhere,” “Afraid for Love to Fade,” “Ngiti,” “I’m Already King,” and “The Way You Look at Me.”
With numerous critically-acclaimed hits and several acting stints, Christian has already made an incredible mark in the entertainment industry.
Kapit promises lyrical masterpieces, original melodic ballads, and a pristine voice only Christian Bautista can offer. “This album is a journey to find my next music path, a challenge to write more songs and to continue writing songs for others,” reveals Christian. Continue reading →
The multi-awarded rap icon Gloc-9 is celebrating his 20th year in the Philippine music industry as he marks this milestone with a brand new EP entitled “Rotonda” released under Universal Records. After his one year contract with Star Music and the release of the album “Sukli,” he recently renews ties with his former label, Universal Records as he proudly recalls remarkable working moments with the record label.
The launch of his new EP creates an avenue for me to get back to covering press cons after quite some time. And yes, I finally said yes to Ms. Grace Foronda’s invitation and I’m happy that I am able to squeeze in good times again such as this before work. I miss lining up with some media friends for light snacks and just talk about the traffic and how busy we were these days.
Gloc-9 celebrates two decades
“Siguro isa lang ‘yung magkaroon ka ng sariling kanta pero ang pagiging totoo mo at kapag nakikita ng tao na hindi ka namamlastik lang dahil gusto mo lang sumikat. Ako’y nangarap lang din, nangangarap pa rin na rap artist ngayon. Iyon siguro ‘yung nakita nila na nakakarelate sila. I try my best na hindi ako magmukhang isang taong mahirap lapitan,” answers Gloc-9 on how he achieved longevity in his career. I don’t know if there are really fundamental steps to a successful long-term career in the music industry but all I know is that music is in Gloc-9’s DNA.
I’ll start with Joey Ayala at Ang Bagong Lumad concert, #Mandiriwa2017 this time around. Had some hiatus from writing for some reason. I think it’s practically normal for people like me who feels tired at work and has no aptitude to write and generate new content. Now, I’m trying again.
I should be proud to show up and share with you this engaging concert by a music hero whose music saved his life. Joey Ayala with his band Ang Bagong Lumad just performed at the Music Museum for the first time in 25 years. “Mandiriwa: Joey Ayala at Ang Bagong Lumad (The Concert)” is presented by Vandals Entertainment and Gabi Na Naman Productions.
Popularly known for his environmental ethnic folk genre, the legendary singer-songwriter proves his music is still relevant, insightful and ceaseless in giving us hope while encompassing many different styles.
His faithful admirers jam-packed the venue to listen a concert with distinct Filipino sound and to watch the interaction of instruments ranging from traditional kulintang ensemble (a row of small, horizontally-laid gongs that function melodically, accompanied by larger, suspended gongs and drums) to hegalong (a two-stringed lute also known as kudyapi) merged with modern instrumentation of drums, bass and guitar. It’s a fusion of contemporary and indigenous musical orchestration.
Joey Ayala’s perceptive and humorous socio-political commentary is also impressive, youthful and relatable. He is the Mandiriwa, a warrior of truth through the power of his diverse thoughts and artistic words.